Tag: Creativity

The End and The Beginning

FullSizeRender 20London, England —”It’s been a long time, I shouldn’t have left you without a dope beat to step to (step to, step to, step to)…”

Instead of apologizing for an unintended hiatus (wack), I’m just going to jump in and explain what I’ve been doing these past couple of months.

In May, the last leg of my journey was at a ceramics studio in Tolne, Denmark. I worked with people from all over the world to build a wood fired kiln from the bottom up.

In June, I returned to New York City just long enough to move my stuff out of my apartment and into a storage unit. Why? you ask.

Well, I am back in the U.K.

For the next several months, I will be in London working on a research project while also doing an apprenticeship in Dorset, England with a potter. My primary goals for the apprenticeship include experimenting with wheel throwing and sculptural forms, learning about kiln building and firing and mastering glazes. It’s a tall order for only a few months but with my laser-like obsessive compulsive tendencies and penchant for repetition, I fully expect to have improved leaps and bounds by the new year.

I will continue to update the blog with what I’m working on, including news about exciting projects (well, I think they’re exciting).

In short, while I thought this was the end of my trip, it’s actually just the beginning.

On Seeing the Real Thing

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Athens, Greece—Whenever I’m able to see a historic site as I travel to a new city, I try to make it a priority—even though they’re usually teeming with tourists. Greece was no exception. On my second day in the country, I visited the Acropolis in Athens. The Parthenon was the most memorable structure (mainly because it’s the one that I remember most from Humanities classes in school).

I like to see art/architecture in person for many reasons. It helps me to understand the creative process, and the context in which it was created. When art is presented out of context—in a textbook, for instance—there’s a danger that it will just become an abstract idea (like the Parthenon was to me before last week). Being in the environment sparked questions about the culture, religion, politics, and daily life in ancient Greece which led me to trace the design/function problems that artists potentially faced with their creative process.

My theory is that understanding the context in which art is created can also help one to understand its culture/perspective.

So if ever you’re able to see art and/or architecture in its original context, you should definitely consider it. It could potentially help you to solve problems in your own work.

 

Getting a Second Wind

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London, England—It’s 12:38am. I’m sitting in Heathrow Airport, camping out overnight for an early morning flight (which is always fun). After almost a month, I’m leaving London. I didn’t expect that it would be over a month before I posted an update, but here we are.

I was never one to pine for London. Ever. I mean, I had nothing against the city. To be honest, it just seemed…well, boring. Probably because the extent of my knowledge of English culture was limited at best.

Well, I can admit when I’m wrong. It’s a lively city, and there’s a lot to see beyond the typical tourist sites. One of my favorite things is that many of the art museums are free, not to mention the art in public places. During my commute one day, I noticed some beautiful mosaics on the subway walls of Tottenham Court Station. When I got home and did a little research and learned that they were created by Eduardo Paolozzi in the ’80s and were removed a couple of years ago (recently back on display.)

They are really beautiful and you have to see them if you visit London. I think sometimes we miss beautiful things because they’re out of the context which we expect. These murals are not in a museum. Rather, they are the backdrop for crowds of people hurriedly going from point A to point B. I don’t even know how I noticed them when I did. I had been to that station several times before but didn’t see them.

Being in London has been a respite of sorts, probably because there isn’t the language barrier that I’ve experienced in other countries. Yeah, there’s the occasional confusion because of different accents and British slang, but for the most part I understand fully when communicating, navigating, planning…it’s wonderful. When I first arrived a few weeks ago, I was so relieved to be able to understand people that I didn’t realize how taxing it was on my brain to be in places where I don’t speak the language. It made me think about how isolating and exhausting it must be for people who don’t speak English to navigate the U.S.

The beauty of being in one place for an extended period of time is that I’m able to have a more consistent and predictable schedule. The longer I travel, that doesn’t get any less important. I work throughout the day, with intermittent breaks for wandering. I’m learning how important it is to actually build in time in my schedule for daydreaming, wandering, having time where my brain isn’t being occupied by any specific demands. I’ve had some great insights while taking breaks from my work and just walking around.

One of my favorite things was searching for traditional English tea cups for a friend. I thought the search would be easy but it took me a bit longer than expected. After asking around, I found Camden Market, a kind of touristy spot. I first went to an antiques shop and the owner sent me to a place that sells, almost exclusively, tea sets!

Being surrounded by so many different designs gave me an appreciation for the artistry and history of the English tea culture. Also, the owner of the store was so knowledgeable, I became even more fascinated.

And so, I’m leaving London. It seems like I’ve only been here a short while. I guess a month really is a short while relatively speaking. I didn’t see the typical tourist stuff like Big Ben and I resolved that I’m totally fine with that. There’s always next time.

Artist In Progress

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Color study sketch. Watercolor on paper.

I spend a lot of time reading, writing, listening to podcasts and audiobooks. When I’m in the studio, podcasts and audiobooks are my go-to because I can listen while working.

On my commute this week, I listened to a book about creativity by a professor in the Architecture department at the Rhode Island School of Design (RISD). She presented some interesting ideas about how creativity develops and how we engage in creative work

Chapter 6, ‘Perceiving and Conceiving’ was especially interesting as I examine the importance of drawing as a foundation for other work. It’s a critical skill that I believe is useful for everyone, not just artists.

If you’re interested in learning how to draw or improve your drawing skills, check out the book by Betty Edwards, Drawing on the Right Side of the Brain. It’s been around for years and it still holds up.

Drawing is all about observing. I’m trying to improve my drawing skills, which means I draw something everyday. It’s forcing me to be more focused and attentive to what I see.

Kimonos in Kyoto

Kyoto, Japan — Ah, Kyoto. It encompasses so much of what I love about Japan: Clean public restrooms, delicious food, escalators that work, reliable public transportation, chic fashion, art (I could go on). But one of my favorite things about Kyoto is how comfortable it feels. Even teeming with tourists like myself, it still seems ‘small-town’ in the best possible way.

One thing that I desperately wanted to do before leaving Japan is to learn about kimonos. Prior to visiting Kyoto, my knowledge of the kimono, was extremely limited. Okay, so everything I know about kimonos I learned from the film, Memoirs of a Geisha, based on the novel by Arthur Golden by the same title. The visuals in the film are breathtakingly beautiful. While I can’t speak on the historical accuracy of the film, it does give some insight into the artistry, skill and thought that is central to the profession.

“…the very word ‘geisha’ means artist and to be a geisha is to be judged as a moving work of art.”1

So, there I was in a kimono rental shop on a Saturday morning. It was like being at Macy’s on Black Friday…a bit overwhelming. Many tourists who visit Kyoto rent kimonos to take photos at one of the shrines. I resolved to go back the next day with the hope of missing the crowd. Luckily, day two was a lot quieter.

Putting on a kimono is an arduous task. It’s not something that one can do comfortably on her own. First, there are several layers involved, with lots of binding and pulling, smoothing and folding. There were three ladies who helped me with my clothes and hair. I learned about the structure of dressing and how to coordinate colors, which was a lot of fun.

The result was a work of art.

  1. Fisher, L. et al. (Producer), & Marshall, R. (Director). (2005). Memoirs of a Geisha [Motion Picture]. United States: Columbia Pictures Corporation.

Making Sushi

dscf0070Tokyo, Japan – Sushi is one of those things that people either love or hate. I don’t remember when I first tried sushi, it was sometime during my freshman year in college. I just remember trying to convert my skeptical friends, like a sushi evangelist. One friend was adamantly opposed because of the raw fish. I think if you strip anything down to its disparate parts, it has the become unappealing but sushi is more than just raw fish. The combination of freshness and immediacy makes it special. An experience. Add to that the skill of the chef and well, it can be a bit intimidating.

Today I learned how to make sushi. It was quite simple. Notice I said ‘simple’ not ‘easy.’ I imagine a person could spend half a lifetime trying to perfect the art of making sushi. I have a great deal of respect for people who make (good) food. They’re artists. Anyone who has ever had bad sushi recognizes that there’s an art to it. From material preparation to presentation, there seems to be a purposefulness to everything.

Having a teacher is my preferred way to learn most new skills. There is no substitute for it (pun not intended). Our teacher today has been making sushi longer than I have been alive. I had to let that sink in. I observed him, how he placed his hands, how he moved, everything. When you’ve done something for so long, it becomes second nature so when trying to explain your technique, some things may not translate (another pun, BAM!).

In Tokyo, it’s acceptable to eat sushi with your hands. You have no idea how happy I was to hear that. My chopstick skills are at an intermediate level. I mean, I can use them just fine, but it takes effort. Removing them was like removing a barrier between me and the sushi. It became a more informal and enjoyable experience.

My only problem now is that I can’t wait to get into my own kitchen and practice.